Articles
- “Art Since 1945 and the Boundaries between Word and Image, Brian and Patrick”. In Brian O’Doherty / Patrick Ireland edited volume above (forthcoming 2016).
- Writing Art and Creating Back: What Can We Do With Art (History)? Amsterdam: Amsterdam University Pres 2015 and online: http://www.oratiereeks.nl/upload/pdf/PDF-6174DEF_Oratie_Lerm_WEB.pdf
- “Mad, Marginal, Minor (Artistic) Research” / “De la recherce (artistique) folie, marginale et mineure”, Dora García, Mad Marginal: Cahier #4, Chantal Pontbriand (ed). Berlin: Sternberg Press 2015, pp. 120-133, 298-312. www.sternberg-press.com/index.php?pageId=1610&bookId=504&l=en
- "Tino Sehgal: Constructed Situations, Joyce and Beuys", Stedelijk Journal, Stedelijk Museum Amsterdam website: http://journal.stedelijk.nl/essay/tino-sehgal-constructed-situations-joyce-and-beuys/ accessed August 2015.
- Christa-Maria Lerm Hayes with Karine Talec, Performance Art and the Conflict in Northern Ireland: A Troubles Archive Essay, Belfast: Arts Council of Northern Ireland 2015, www.troublesarchive.com/resources/Performance_Art_Essay_Troubles_Archive. Also hardcopy published by the Golden Thread Gallery, Belfast, for the exhibition Performance Art + Northern Ireland.
- “Concerning the Work of Royden Rabinowitch: Our Disenchanted Ontology or Paradoxical Hope”. Royden Rabinowitch: Ghent, Collection Hooft, Gent: MER Paper Kunsthalle 2014, pp.21-36.
- "Conceptual Art", Art and Architecture of Ireland: in five volumes. Royal Irish Academy, Paul Mellon Centre, Yale University Press: Dublin, New Haven, London 2014, p.80-83.
- “Sandra Johnston: Doubt, Gesture, Love and the Paradoxes of (Political) Art in Northern Ireland”. Sandra Johnston. Beyond Reasonable Doubt: An Investigation of Doubt, Risk and Testimony Through Performance Art Processes in Relation to Systems of Legal Justice. Series: European Studies in Culture and Policy. Berlin, Münster, Vienna, Zurich, London: LIT 2014, pp.3-42.
- Andrew McClelland, Deborah Peel, Christa-Maria Lerm Hayes, Ian Montgomery. “A values-based approach to heritage planning: raising awareness of the dark side of destruction and conservation”. Town Planning Review. Issue 84.5, pp. 583-603. http://liverpool.metapress.com/content/567414467qj81u13/?p=ec42105c0c6a44c089714057dafebd2c&pi=2
- “Considering the Minor in the Literary and Photographic Works of Rodney Graham and Tacita Dean”, Minor Photography: Connecting Deleuze and Guattari to Photography Theory, Mieke Bleyen (Ed.), Lieven Gevaert Series, vol. 13, Leuven: Leuven University Press 2012, pp. 85-102.
- “Polyhedra and Joyce: A Room for Thought”. James Joyce Broadsheet, number 91 (February 2012), pp. 1, 4.
- “’The Joyce Effect’: Joyce in the Visual Arts”. A Companion to James Joyce. Richard Brown (ed). Malden, Oxford: Blackwell, 2007, pp. 318-340. Reprinted in paperback 2011.
- Suzanna Chan, Christa-Maria Lerm Hayes. “The Role of Diversity in the Production and Reception of Art in Belfast: Space Shuttle.” Christa-Maria Lerm Hayes, Victoria Walters (eds). Beuysian Legacies in Ireland and Beyond: Art, Culture and Politics. Münster, Hamburg, Berlin, Vienna, London: LIT 2011, pp. 118-146.
- Christa-Maria Lerm Hayes, Victoria Walters. “Introduction”. Ibid. pp. 1-17.
- “’I will re-create Finnegans Wake anyway’: Joseph Beuys Reads James Joyce.” Beuys Voice. Lucrezia de Domizio Durini (ed). Zurich, Milan: Kunsthaus Zurich, Electa 2011, pp. 480, 81.
- “Rodney Graham: Literature and What an Artist Does with It”. Rodney Graham: Through the Forest (English, German, Spanish, Catalan). MACBA, Barcelona; Kunstmuseum Basel, Museum für Gegenwartskunst, Basel; Hamburger Kunsthalle, Hamburg. Ostfildern: Hatje Cantz 2010, pp. 64-85.
- “In the Wake (of) – as a Theory of Participatory Practice”. The Recorder: The Journal of the American Irish Historical Society. Vol. 21, Nr 2 & 22, Nr 1, Spring, Fall 2009, pp. 41-48.
- “The Loneliness of East Germany”. CIRCA: Contemporary Visual Culture in Ireland. Nr 128 (Summer 2009), pp. 54-57.
- ''Carola Giedion-Welcker: Misrepresented Mediator Of Modernists''. Karen M. Brown (Ed). Women's Contributions To Visual Culture, 1918-1939. Hampshire: Ashgate 2008, Pp. 89-100.
- “Post-War Germany and ‘Objective Chance’: W.G. Sebald, Joseph Beuys and Tacita Dean”. Searching for Sebald: Photography After W.G.Sebald. Lise Patt (ed.). Institute of Cultural Inquiry Los Angeles 2007, pp. 412-439.
- “La disolución de los límites”. La Tempestad (Mexico). Nr 48 (June 2006), pp. 72, 73.
- “Unity in Diversity Through Art? Joseph Beuys’ Models of Cultural Dialogue”. Social Science Research Network Electronic Papers Collection, April 2006, http://ssrn.com/abstract=897430
- “Re-inventing the Literary Exhibition: Exhibiting (Dialogical and Subversive) Art on (James Joyce’s) Literature”. Show/Tell: Relationships between Text, Narrative and Image. Grace Lees-Maffei (ed.). Working Papers on Design 2 www.herts.ac.uk/artdes1/research/papers/ wpdesign/wpdvol2/vol2.html ISSN 1470-5516
- “Erweiterte Kunstgeschichte: Carola Giedion-Welcker, Joyce und Brancusi bei Joseph Beuys”. Dazwischen: Die Vermittlung der Kunst Festschrift für Antje von Graevenitz. Renate Buschmann, Marcel René Marburger, Friedrich Weltzien (eds). Dietrich Reimer Verlag Cologne 2005, pp.121-132.
- “Joyce in Art”. James Joyce Bloomsday Magazine 2004. Dublin 2004, pp. 21-23.
- “Joseph Beuys “Extends” James Joyce’s Work”. In: CIRCA: Contemporary Visual Culture in Ireland. No. 104 (Summer 2003), pp. 35-39.
- “Nauman .. Beckett ... Beckett . Nauman: The Necessity of Working in an Interdisciplinary Way”. In: CIRCA: Contemporary Visual Culture in Ireland, No. 104 (Summer 2003), pp. 47-50.
- “Large Scale Minimalism: Ulrich Rückriem’s Irishness”. In: ssi newsletter: Foras Dealbhóirí Éireann / The Sculptors’ Society of Ireland. January-February 2003, pp. 6, 7.
- “Art Inspired by Joyce?” In: James Joyce Broadsheet, No. 62, June 2002, p. 1: leading article.
- “Migration in Joseph Beuys’ Work: James Joyce’s Nomadic Language”; “Joseph Beuys Inspired by James Joyce”. In: AICA Congress 1997: Art and Centres of Conflict – Outer and Inner Realities. AICA International Press Belfast 2001, pp. 37-39 and 112-114.
- “The Book of Kells in Joseph Beuys' Work – Via Joyce”. In: Interpreting the Middle Ages: The Medieval World and the Modern Mind. Michael Brown and Stephen H. Harrison (eds). Four Courts Press, Dublin 2000, pp. 183-193.
- “Joseph Beuys in Ireland: An Interest in the Periphery, the Nomadic – and Joyce”. In: Yearbook of the Centre for Irish-German Studies. Gisela Holfter, Joachim Lerchenmüller (eds.). University of Limerick 1999, pp.77-81.
- “Joseph Beuys: Not by Joyce”. In: James Joyce: Bloomsday Magazine 1999, Declan Meade, James Joyce Centre (ed.). Dublin May 1999, pp. 36, f.
- “Jüdische Themen in Warburg's and Joyce's Werken: Periphere Interessen”. In: Denkbild Ellipse: Jüdische Identität in Kunst und Kunstwissenschaft. Martin Roman Deppner (ed.). Loccum 1998, pp. 87-101.
- “Das Jüdische Erbe in Aby Warburg’s Leben und Werk”. In: Menora 5: Yearbook for German-Jewish History 1994. Julius H. Schoeps (ed.) for the Salomon Ludwig Steinheim Institute of German-Jewish History at the University of Duisburg. Serie Piper: Munich, Zurich 1994, pp. 141-169.